Painting on Location

Painting on location during a 'proper' bank holiday by Alison C. Board

Hey everyone, after my last two posts which were very academic and heavy, I promised you that I would write a more technique driven piece and here it is!

This weekend I have been lucky to share it with a lovely group who have come to the studio to improve their ‘en plein air’ or outdoor painting on location. We have been truly blessed with the weather, Dorset has delivered a wonderful bank holiday of wall-to-wall sunshine which isn’t necessarily easy when staring at a white piece of paper but makes sitting outside very pleasant indeed.

So many things have been discussed including how to tackle the vast expanse of information that is in front of you, how to use artistic licence to interpret shapes and colours and sometimes, how to rid yourself of your painting demons in order to progress further up your own artistic ladder.

Here is the first demonstration that I did for the group while we were outside:



It’s not everything that I want it to be but it was done in about 30 minutes and provided me with a subject to explore further, namely the trees that were in the distance and led to this piece:



…which I am really pleased with and has lots of room for development. I used to really struggle with painting trees and it took me a long time to get to the bottom of how I like them to look. If you look closely at my scrawlings in the bottom right-hand corner you can see that I had a great time flicking the water at the paper to get my Daniel Smith colours to run and merge. I used probably more colours than I would have done normally – Cerulean, Cobalt Violet Deep, Rich Green Gold, Green Apatite Genuine and Hematite Genuine but I was caught up in the moment and did it in about ten minutes flat.

Have any of you had a chance to get out and paint this weekend?