Painting on location during a 'proper' bank holiday by Alison C. Board

Hey everyone, after my last two posts which were very academic and heavy, I promised you that I would write a more technique driven piece and here it is!

This weekend I have been lucky to share it with a lovely group who have come to the studio to improve their ‘en plein air’ or outdoor painting on location. We have been truly blessed with the weather, Dorset has delivered a wonderful bank holiday of wall-to-wall sunshine which isn’t necessarily easy when staring at a white piece of paper but makes sitting outside very pleasant indeed.

So many things have been discussed including how to tackle the vast expanse of information that is in front of you, how to use artistic licence to interpret shapes and colours and sometimes, how to rid yourself of your painting demons in order to progress further up your own artistic ladder.

Here is the first demonstration that I did for the group while we were outside:



It’s not everything that I want it to be but it was done in about 30 minutes and provided me with a subject to explore further, namely the trees that were in the distance and led to this piece:



…which I am really pleased with and has lots of room for development. I used to really struggle with painting trees and it took me a long time to get to the bottom of how I like them to look. If you look closely at my scrawlings in the bottom right-hand corner you can see that I had a great time flicking the water at the paper to get my Daniel Smith colours to run and merge. I used probably more colours than I would have done normally – Cerulean, Cobalt Violet Deep, Rich Green Gold, Green Apatite Genuine and Hematite Genuine but I was caught up in the moment and did it in about ten minutes flat.

Have any of you had a chance to get out and paint this weekend?

A Weekend of Owls by Alison C. Board

Welcome to my new blog and a new space for talking about new things. My social media and website both mainly discuss what my experiences are as a tutor, but in setting up this new blog, it seemed like a good opportunity to discuss what it’s like to be a professional working artist.

People generally have their own idea of what being an artist entails and like anything, some it will be false and some of it will be spot on. As I didn’t exactly ever have this career on my radar when I sat and chatted with my careers advisor at school, (I wanted to either be a ballerina or a speech therapist) all I can equate it to now are the standard chats at dinner parties, barbeques, in the pub etc.

Very often people get excited hearing about what I get to do for a job and I’m very grateful for that, there are plenty of unfortunately perceived ‘dull’ professions, and I get to talk about a more interesting one. The one thing that is difficult to get across to those who have no experience of painting for a living, is the CONSTANT questioning of what you do and how you do it. I’m not talking about confidence here, we all have moments where we ask ourselves if we are doing our job to the best of ability, I’m talking about the following scenario.

I held a lovely owl painting workshop at my studio this weekend, we had visiting owls (yes, really) and in a room of like-minded individuals, shared techniques and materials to satisfy all our artistic endeavours. I had conducted a full demonstration on Friday, produced a painting that was technically very passable, spent Saturday honing my new found photography skills and then was left with a little time on Sunday while others worked on their pieces. Why is this relevant? It’s relevant because I looked down at my piece of paper, mentally pushed aside every technique I had discovered in the last two years and went back to basics. One piece of watercolour paper, one brush and few colours. No fanfare of special materials, no specific techniques, no magic reveal, just good old-fashioned painting and producing something that comes from deep inside you that you can’t really explain.

Even if, by some miracle, a careers advisor helped you towards a creative path (don’t get me started on this topic), what they would never, ever be able to tell you would be that sometimes being an artist means that you have to tell yourself to forget what is at the front of your head and ask yourself the following question:

‘What happens if I don’t?’

I’ll leave that one with you…